未来，世界被划分为地上与地下两个截然不同的领域。地上世界，被誉为高贵的象征，犹如一座乐园，充满了繁荣与希望。而地下世界，也被称为缇努维尔，则充斥着混乱与无序，人们挣扎在破旧的水泥钢筋之间，艰难求生。绝望与暴力肆虐，武力统治者多姆纳尔等组织在...

未来，世界被划分为地上与地下两个截然不同的领域。地上世界，被誉为高贵的象征，犹如一座乐园，充满了繁荣与希望。而地下世界，也被称为缇努维尔，则充斥着混乱与无序，人们挣扎在破旧的水泥钢筋之间，艰难求生。绝望与暴力肆虐，武力统治者多姆纳尔等组织在...

差不多了，从这里开始吧。

差不多了，从这里开始吧。

お前との毎日が、最高のラブソング。 ライブ後の打ち上げに入った居酒屋で盛り上がるキーボードのミヤ。 トイレに席を立つと、トイレの個室から自分たちの曲が聞こえてくる…。 振り返るとそこには、便座を鍵盤に見立てて弾いている奴がいて……!? 大型ワンコ系音大生×世話焼きバンドマン、 夢と恋にゆれるバンド男子たちの今、そして――。

An essential analysis of cinema from one of the great figures of French philosophy The cinema, like language, can be said to exist as a system of differences. In his latest book the acclaimed philosopher Jacques Rancière relates cinema to literature and theatre. With literature, he argues, cinema takes its narrative conventions, while at the same time effacing its images and it...(展开全部)

This book explores the border zones between life and non-life as represented in cinema from the end of the nineteenth century, when France led the global film industry, to the first decades of the twenty-first century, when world film markets are dominated by Hollywood. Informed by both the Internet of Things and the Parliament of Things, The Cinema of Things examines cinematic...(展开全部)

"The Cinema of Eisenstein" is David Bordwell's comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the entire history of the film. The director of such classics as Potemkin, Ivan the Terrile, October, Strike, and Alexander Nevsky, Eisenstein theorized montage, presented Soviet realism to the world, and mastered the concept of the film epic. Comp...(展开全部)

How can a voice whose source is never seen--such as Hal in 2001: A Space Odyssey or the mother of Norman Bates in Psycho--have such a powerful hold on an audience? When does "synchronized sound" fail to link bodies to their voices, and how do such great stylists of sound film as Jacques Tati, Kenji Mizoguchi, and Marguerite Duras deploy the power of the voice? In this brillia...(展开全部)

The Japanese Cinema Book provides a new and comprehensive survey of one of the world's most fascinating and widely admired filmmaking regions. In terms of its historical coverage, broad thematic approach and the significant international range of its authors, it is the largest and most wide-ranging publication of its kind to date. Ranging from renowned directors such as Akira K...(展开全部)